This kind of editing involves heavy rewriting and restructuring. The editor helps you structure your ideas, decide what story to tell and find direction for your writing. This is the first step of the editing process and applies to very early drafts. Select the Structure Check and Clarity Check to receive a comprehensive edit equivalent to a line edit.ĭevelopmental editing (i.e. The editor helps you strengthen your story, polish your sentences and ensure that your use of language drives home your ideas. Actor-Observer Bias Instead of speaking of a hypothesis of an actor-observer asymmetry, some textbooks and published research articles speak of an actor-observer bias. It can only be selected in combination with proofreading.įocus on language, style, concision and choices. Situational salience and cultural differences in the correspondence bias and actor-observer bias. This is the “editing” in Scribbr’s standard service. The editor also considers the internal logic of the text and flags any obvious contradictions. It can only be selected in combination with editing.įocus on grammar, syntax, style, tone and the conventions of the field. This is the “proofreading” in Scribbr’s standard service. To help you understand what you can expect at Scribbr, we created this table: Types of editingĬorrection of superficial mistakes, such as typos, misspellings, punctuation errors and consistency errors. ![]() You might be familiar with a different set of editing terms. With these building blocks, you can customize the kind of feedback you receive. Nisbett, 1971) states that people tend to explain their own behavior with situation causes and other. And by our lights, this is something that simply cannot be done from the armchair.Every Scribbr order comes with our award-winning Proofreading & Editing service, which combines two important stages of the revision process.įor a more comprehensive edit, you can add a Structure Check or Clarity Check to your order. If we’re right, the burden is on the moral intuitionist to explain why we should have faith in our moral intuitions despite the gathering evidence concerning their seeming unreliability. It appears that in addition to being influenced by framing effects, our moral intuitions are also influenced by an actor–observer bias as well-a bias whereby we hold other people to different moral standards than we would hold ourselves even if we were in the same situation. Finally, we present the results of a new study which create yet another hurdle intuitionists must clear if they want to motivate their view. ![]() Then we examine some of the literature on framing effects-especially as it pertains to moral philosophy. Along the way, we first provide an overview of what Sinnott-Armstrong calls the Master Argument against intuitionism. ![]() In this paper, we are going to try to add more fuel to the empirical fire that Sinnott-Armstrong has placed under the feet of the intuitionist. More specifically, he has suggested that insofar as our moral intuitions are subject to what psychologists call framing effects, this poses a real problem for moral intuitionism. Der Actor-Observer-Bias lässt sich am besten als eine Tendenz erklären, das Verhalten anderer Menschen auf interne Ursachen zurückzuführen, während wir unsere eigenen Handlungen auf externe Ursachen zurückführen. ![]() In a series of recent papers, Walter Sinnott-Armstrong has used findings in social psychology to put pressure on the claim that our moral beliefs can be non-inferentially justified.
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